How three high school friends from suburban Denver built a blues-soaked bar band into one of Colorado's most enduring rock acts, without ever needing to change what they sound like.
The Short Version
Who Are They?
Big Head Todd and the Monsters are a rock band formed in Colorado in 1986 by Todd Park Mohr (guitar, vocals), Rob Squires (bass), and Brian Nevin (drums), later joined permanently by keyboardist and pedal-steel player Jeremy Lawton. Their sound runs on blues bones, roots-rock songwriting, and Mohr's warm, unhurried guitar tone.
Two things make them singular. First, the steadiness: the core trio has played together since high school, without a breakup, a lineup war, or a reinvention, an unusual thing in rock and roll. Second, the blues lineage: their songs draw directly from Chicago and Delta blues, and they've shared a stage and a studio with the genre's actual legends rather than just borrowing its sound.
Their 1993 major-label debut Sister Sweetly went platinum in the United States and remains their commercial high-water mark. In June 2023 the band was inducted into the Colorado Music Hall of Fame at Red Rocks Amphitheatre, the venue that has become their unofficial home stage.
Open road, open sky: the Colorado landscape behind the music. Illustrative image, AI-generated.From Columbine to Red Rocks
The Story
Their story is less about reinvention than persistence, the same three friends building steadily for nearly four decades.
The prairie-to-mountains geography of home. Illustrative image, AI-generated.
1986
Three friends from Columbine High School
Todd Park Mohr, Brian Nevin, and Rob Squires, who attended Columbine High School together in Littleton, Colorado, played their first gig at a University of Colorado Boulder party. They began touring the bar and club circuit in Denver, Fort Collins, and Boulder the following year.
1989
Another Mayberry, self-released
The band formed its own label, Big Records, to release its debut, Another Mayberry. It was a DIY start that let them build a fanbase on their own terms before any label came calling.
1990
Midnight Radio
Their second self-released album deepened the blues-rock sound and grew their regional following further, setting up the major-label interest that followed.
1993
Sister Sweetly goes platinum
Their major-label debut for Giant Records became their breakthrough, going platinum in the US on the strength of singles "Broken Hearted Savior" and "Bittersweet." It remains the album most new listeners start with.
1997
Beautiful World, and a session with a legend
During the Beautiful World sessions in Sausalito, California, the band discovered blues legend John Lee Hooker recording down the hall in the same studio. With encouragement from producer Jerry Harrison, Hooker agreed to sing on the band's cover of his own classic "Boom Boom," a direct link to the blues tradition they'd always drawn from.
2003
Jeremy Lawton joins
Keyboardist and pedal-steel player Jeremy Lawton became a permanent member, expanding the trio to a four-piece and adding new texture, organ, piano, and steel, to the band's sound going forward.
2004
Crimes of Passion and Live at the Fillmore
A studio album and a live release the same year reflected the band's steady, prolific work rate, and its growing reputation as a live act built for the road.
2008
Riviera
A later-career studio album that found the band still writing and touring on their own schedule, well outside the churn of the mainstream rock charts.
2015
Black Beehive
A guest-heavy, genre-roaming record that showed a band still willing to stretch, more than a quarter-century into its career.
2023
Colorado Music Hall of Fame
The band was inducted into the Colorado Music Hall of Fame at Red Rocks Amphitheatre on June 10, 2023, a hometown honor for a band that had never left home.
Three Songs, One Sound
Start Here
These three, one studio single, one live staple, and one classic with a memorable video, are the fastest route into the Big Head Todd sound. Watch in order.
Warm tone, unhurried playing: the guitar sound at the center of the band. Illustrative image, AI-generated.
01 · The Single
"Bittersweet" — 1993
One of two hit singles from Sister Sweetly, a mid-tempo rock song built on a warm, memorable guitar hook. The most obvious entry point into the catalog.
02 · The Signature Song
"Broken Hearted Savior" — live
The band's most successful and enduring song, and a permanent fixture of the live set. This performance shows why it's the one longtime fans wait for.
03 · The Home Stage
"Circle" — live at Red Rocks, 2008
Filmed at the amphitheatre that later inducted them into the Colorado Music Hall of Fame, this performance captures the band on the stage most associated with their career.
The Studio Catalog
The Albums
A steady, unhurried discography built one record at a time. The amber-topped cards are the best entry points; the teal marks a later-career highlight.
1993
Sister Sweetly
Their platinum-selling major-label debut, and the obvious starting point. Home to "Bittersweet" and "Broken Hearted Savior," their two best-known songs.
Includes their cover of "Boom Boom" featuring John Lee Hooker himself, recorded during a chance studio meeting, a direct thread back to the blues tradition.
A curated YouTube Music playlist of studio essentials, sequenced to move from the well-known singles into the deeper blues-rock catalog. Hit the button below to play it.
A radio-session interview recorded at Portland's 101.9 KINK.FM, a relaxed conversation with the band about their music and their long relationship with the road.
Big Head Todd rewards patience more than obsession, decades of steady, high-quality work rather than a single defining event.
A working musician's instrument, at rest. Illustrative image, AI-generated.
Red Rocks — the band's unofficial home stage and the site of their 2023 Colorado Music Hall of Fame induction; live recordings from there are a natural next stop.
The blues collaborations — beyond John Lee Hooker on "Boom Boom," the band's catalog is full of blues-rooted covers and guest turns worth tracking down.
The live albums — Live at the Fillmore (2004) and other live releases capture a band built for the road as much as the studio.
The steady catalog — with albums stretching from 1989 to the 2010s, there's no wrong place to keep going once Sister Sweetly and Beautiful World have you hooked.
The Way to Listen
Start with Sister Sweetly front to back, then find a Red Rocks live recording and hear "Broken Hearted Savior" the way it was built to be heard, in front of a crowd, under an open Colorado sky.