Jamgrass • Polyethnic Cajun Slamgrass • The Originators
One of the original jamgrass bands, whose rowdy blend of bluegrass, Cajun, rock, and calypso helped invent the whole genre and set the festival scene in motion.
The Short Version
Who Are They?
Leftover Salmon are a Colorado band, formed in 1989, who are quite simply one of the original jamgrass bands. Led by Vince Herman and Drew Emmitt, they took bluegrass instruments and threw everything else at them, Cajun and zydeco, rock, calypso, and long improvisational jams, and coined a name for the result: polyethnic Cajun slamgrass.
Their importance is foundational. As Marcel points out, they are among the oldest examples of the jamgrass subgenre, predating and directly inspiring the String Cheese Incident, the Yonder Mountain String Band, and the whole modern festival-bluegrass world.
Bluegrass instruments, put to rowdy, joyful purpose.A Band Born from a One-Off Gig
The Story
Their story starts almost by accident, and turns into the founding of a whole scene.
Boulder, Colorado, where it all started.
1989
An accidental band
When two Boulder bands, the Salmon Heads and the Left Hand String Band, merged for a single gig, Leftover Salmon was born and never stopped.
1990s
Slamgrass
They built a rowdy, genre-melting live sound and a devoted following, becoming pioneers of what would be called jamgrass.
1999
The Nashville Sessions
Their all-star album featured Bela Fleck, Earl Scruggs, John Hartford, and more, a bridge between the jam world and bluegrass royalty.
2002
The loss of Mark Vann
Founding banjoist Mark Vann died of cancer, and the band took a hiatus before regrouping.
2000s onward
Elder statesmen
Having helped invent the scene, Leftover Salmon remain beloved festival veterans and a living link to jamgrass's origins.
Three Recordings, One Introduction
Start Here
These three are the fastest way to hear the band: the signature, the classic, and the party.
01 · The Signature
"Euphoria"
A joyful, high-energy tune that captures the band's whole spirit. Start here.
02 · The Classic
"Gulf of Mexico"
A beloved original that shows the Cajun and rock flavors in the band's slamgrass.
03 · The Party
"Zombie Jamboree"
A rollicking calypso cover that shows the band's genre-melting sense of fun.
The Catalog
The Essential Records 4 to start with
Four records covering the classic studio sound, the all-star sessions, and the live fire.
1997
Euphoria
A great early studio record, the band's slamgrass in full bloom. Start here.
Leftover Salmon invented a template. When they started in 1989, the idea of a string band playing bluegrass instruments but behaving like a rowdy, genre-hopping rock band was genuinely new. They mixed in Cajun and zydeco from the bayou, calypso from the islands, funk and rock from everywhere, and tied it all together with bluegrass picking and a party-hard live show. The half-joking name they gave it, polyethnic Cajun slamgrass, captures the gleeful mess of it perfectly.
That approach is the direct ancestor of everything jamgrass became. The String Cheese Incident, Yonder Mountain String Band, and the whole Colorado-centered jamgrass scene grew in ground that Leftover Salmon broke first. They proved you could take bluegrass to a festival crowd, jam endlessly, cover anything, and build a devoted, deadhead-style following, years before it became a whole movement.
They also stayed connected to the tradition. The Nashville Sessions, with Bela Fleck, Earl Scruggs, and John Hartford sitting in, showed that the band's wildness came from love and knowledge of the roots, not ignorance of them. The death of founding banjoist Mark Vann in 2002 was a hard blow, but the band endured, and today they are elder statesmen of the scene they helped create, still bringing the party every night.
The festival party the band helped invent.The Roots of the Sound
Influences
Leftover Salmon grew from newgrass, the jam tradition, and a love of American vernacular music. These are the sources.
The Father of Newgrass
Sam Bush
New Grass Revival first proved bluegrass could rock, jam, and party.